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Psyche & Imagination - Online Abstract
Psyche, Imagination and the Poet:
The Poetry
Edmund Cusick
Edmund Cusick is a storyteller, poet and lecturer in Imaginative
Writing at Liverpool John Moores University . He is winner of the
Housman Poetry Prize (1998) and is current holder of the Keats-Shelley
Memorial Prize (2005). In 1998 he was awarded a Jerwood writing
fellowship. He is the author of two collections of original poetry
Gronws Stone (1997) and Ice Maidens (Spring 2006,
In press), and editor of one poetry anthology Blodeuwedd
(2001).
His Doctoral thesis is a Jungian study of Nineteenth century Gothic
and fantastic writers, chiefly George MacDonald, Bram Stoker, Rider
Haggard and Edgar Allen Poe. It identifies some of the archetypal
images which appear in remarkably similar form in the works of several
different fantastic authors, notably two aspects of the anima: the
Catwoman (heroines who are envisioned through feline and leopardess
imagery) and the Stellar heroine (whose identity is expressed through
images of the night sky). Elsewhere, he has written articles undertaking
Jungian analyses of John Cowper Powys, Arthur Machen, and Mary Webb.
The poetry of Gronws Stone is inspired by the Welsh legends
of the Mabinogion. Cusicks own poetry, giving voice to the men
of the myths, is partnered with work by Cornish poet Ann Gray, who
dramatises the experiences of the female characters. Cusick brings
these Celtic myths to life with particular sensitivity to their
spiritual content, and to their sexual elements, which explore the
realm of sexual terror as well as of desire. The world of the Mabiniogion
is one in which heroes are engaged in continuing intercourse with
Annwn, the otherworld, a frightening and glamorous realm contiguous
to our own. From this realm emerge magical beasts, immortal women,
and terrifying monsters, and into this realm heroes fall, there
to encounter ecstasy and desolation. The poems reflect this intercourse
between worlds, being rooted in the Welsh landscape, yet opening
to the presence of Annwn.
One of the most fascinating of the Mabinogions otherworld figures
is Blodeuwedd her identity passing through incarnations as flower,
tree, woman, and owl. In Bloeduwedd: an Anthology of Womens
Poetry Cusick traces the continuing power of Blodeuwedd over
the imagination of female creative artists. In his introductory
essay Cusick makes explicit the link between the collective unconscious
and the otherworld of the myth, using a Jungian paradigm to account
for the Blodeuwedds renaissance.
Ice Maidens continues to develop and extend the themes
of the previous books. The collections cover plate John William
Waterhouses Hylas and the Nymphs offers an an archetypal
image of the allure of the anima, and Cusicks poem Waterhouse,
tracing the influence of images of the entrancing feminine over
the male artist, offers an introduction to the wider themes of the
collection.
In poems such as Vindolanda and Nana Cusick explores the association
of spirtual forces within the landscape through feminine images.
Other poems explore the glamour of the female image in the male
psyche, and in particular, to points of confluence between the supernatural
and the erotic, where the energy of fantasies, or of actual encounters,
rises from both sexual and spiritual sources.
Elsewhere, Cusicks concern with legend and with landscape embraces
a realm where the physical territory is simultaneously a land of
mythic significance the high arctic.
Throughout, Ice Maidens demonstrates poetrys power to reach
through surface of conscious reality and to express moments of epiphany,
culminating in the arresting of conscious attention before images
of the numinous.
Dr Edmund Cusick is a poet and Head of the Writing
Dept at Liverpool John Moores University . He is author of two collections
of original poetry, Gronws Stone (1997) and Ice Maidens
(2006, in press) and has edited an anthology of womens poetry,
Blodeuwedd (2001). He has also edited, and written a critical
introduction to, a volume of Rose Flints Poetry Firesigns
( Salzburg , 2004).
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